Rachel Hannah Weisz (pronounced "vice"; born 7 March, in 1970 or 1971) is an Academy Award-winning English actress. She became well-known after her role as Evelyn "Evy" Carnahan-O'Connell in the Hollywood films The Mummy and The Mummy Returns, and has since continued appearing in major film roles.
Her breakthrough role was that of Gilda in Welsh director Sean Mathias's 1995 West End revival of Noel Coward's 1933 play Design for Living at the Gielgud Theatre. Having already worked for television, with parts in major UK series such as Inspector Morse (1993), Weisz started her cinema career in 1995 with Chain Reaction and then appeared in Bernardo Bertolucci's Stealing Beauty. She followed this work with more English films including My Summer with Des, Swept from the Sea, The Land Girls, and Michael Winterbottom's I Want You. Although she received favourable critical recognition for her work to this point, her breakout into wide audience recognition came from a popular serio-comic horror movie The Mummy, in which she played the lead female role alongside Brendan Fraser. Since then she has starred in a number of films including The Mummy Returns (2001), which grossed higher than the original, as well as Enemy at the Gates (2001), About a Boy (2002), Runaway Jury (2003) and Constantine (2005). Her stage work includes the role of Catherine in a London production of Tennessee Williams' Suddenly Last Summer and Evelyn in Neil LaBute's The Shape of Things at the Almeida Theatre (also film).
In 2005, Weisz starred in Fernando Meirelles's The Constant Gardener, a film adaptation of a John le Carré thriller of the same title set in the slums of Kibera and Loiyangalani, Kenya. For this role, Weisz won the 2006 Academy Award for Best Supporting Actress, the 2006 Golden Globe Award for Best Supporting Actress and the 2006 Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role. In her home country, she was recognised as a leading role for the film according to the nomination from the BAFTA awards and winnings from the London Critics Circle Film Awards and British Independent Film Awards.
